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Rope
(1948)
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Director:
Alfred
Hitchcock |
COUNTRY
USA |
GENRE
Thriller/Drama |
NORWEGIAN
TITLE
Repet |
RUNNING
TIME
80
minutes |
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Producer:
Sidney Bernstein
Alfred
Hitchcock |
Screenwriter
(based on a play by Patrick Hamilton):
Arthur
Laurents
Hume Cronyn |
Review
One
of few films by Hitchcock that is more noteworthy for its technical
aspects than the thematic. Rope works fine on a base level,
telling the tale of two spoiled rich kids who commit murder for the heck
of it under the illusion that as members of the intellectual and social
elite they were entitled to do so. As a murder mystery (or rather
post-murder mystery) the film is adequate, with numerous playful
situations centered around the presence of the dead body at a dinner
party. Not untraditionally, this is what becomes Hitch's focal point,
and coupled with Arthur Laurents' delightful dialogue, the film is full
of delicate and macabre wit that keeps it alive and shows Hitchcock's
brilliant comical timing.
He impresses with his camera too, letting it
stroll around the film's one and only set, presenting the narrative with
impressive flux, deploying cuts only when the reels would request it
(which was at about every ten minutes). The theatrical quality of the
piece calls for strong characterizations, but unfortunately, Hitchcock
becomes too vague and/or undaring when discussing the most powerful
aspects of the script: the implied homosexuality and the philosophical
foundation that inspired the murder in the first place - centered around
Nietzsche's idea of the übermensch. In both these cases, the film has
some tension when concerning the Dall and Granger twosome, but James
Stewart is all wrong for his part. He's a fine protagonist as the
detective, but isn't able (or willing) to bring any potency to the two
aforementioned aspects, both of which would have made Rope an
important and edgy document of its time. As it is, the film lacks both
the harrowing suspense and the layers that characterized Hitchcock's
best.
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