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Rosencrantz
and Guildenstern Are Dead (1990)
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Director:
Tom Stoppard |
COUNTRY
UK/USA |
GENRE
Comedy/Drama |
NORWEGIAN
TITLE
- |
RUNNING
TIME
117
minutes |
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Producer:
Emanuel Azenberg
Michael Brandman |
Screenwriter
(from his own play):
Tom Stoppard |
Review
This
narrow film certainly isn't for everyone, but then again, it never was meant to be.
Tom Stoppard adapts his own play in his one and only turn in
the director's chair. The outcome could have been better. To a large
extent, we get the clever comedy and the delightful playfulness of the
conversations between our two leads as they drag us through
philosophical and existential twaddle or truths (depending on your point
of view) on their quest to find out what's going on with Hamlet - and
ultimately themselves. The genius of Stoppard's play is how it
constantly balances between the poetic, the brilliant and the
nonsensical. Shakespeareans will enjoy the film version as well, but
doubtingly to the same extent as they did the play. The reason is this: Stoppard
cannot seem to bring his film the vitality and vigour it needs. The film works
best when Tim Roth and an inspired Gary Oldman are left alone to ponder
their existence, but comes
off as too stagy in many of the narratively conclusive parts, making it a
tiring and overlong experience.
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