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Rounders (1998)
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Director:
John
Dahl |
COUNTRY
USA |
Genre
Drama |
NORWEGIAN
TITLE
Siste
spill |
RUNNING
TIME
121
minutes |
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Producers:
Ted
Demme
Joel Stillerman |
Screenwriters:
David Levien
Brian Koppelman |
Review
Right at the dawn of internet poker and the Texas Hold'em
explosion, director John Dahl (The Last Seduction) made this
moody, atmospheric piece about a talented poker player (Matt Damon) and
his out-of-luck hustler friend (Edward Norton). The script by the young
writer team of David Levien and Brian Koppelman was remarkably
insightful about poker technicalities by 1998 standards, even if it
probably overembellished the gangster part of the underground poker
scene. From a poker point of view, however, there is no doubt that
Rounders helped promote the game
in general and Hold'em in particular to a wider audience. And thanks to
Dahl's seductive combo of offbeat aesthetics and traditional pay-offs, the
film quickly gained a cult following which it has preserved over the
next quarter of a century, and deservedly so. There's something
upliftingly recognizable about the inevitability of Mike's choices and
Worm's downfall. It may be determinism, but it's a sweet, melancholy
determinism from which there still seems to be endless opportunities.
And the effect is made all the more evocative thanks to Christopher Young's gloomy
jazz score and Jean-Yves Escoffier's beautiful photography. There are
fine performances from the two young leads and superb supporting work in
the form of a tender Martin Landau and a wonderfully stylized John
Malkovich, whose Teddy KGB has a vitality and peculiarity only Malkovich
could create. Granted, he's a distraction, but what a delightful
one at that.
Re-reviewed:
Copyright © 06.04.2022 Fredrik Gunerius Fevang
Original review: Copyright ©
16.12.1999 Fredrik Gunerius Fevang |
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