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Run (2020)     
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Directed by:
Aneesh Chaganty |
COUNTRY
USA |
Genre
Psychological thriller |
NORWEGIAN
TITLE
Run |
RUNNING
TIME
89
minutes |
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Produced by:
Natalie Qasabian
Sev Ohanian |
Written
by:
Aneesh Chaganty
Sev Ohanian |
Review
It was only a question of time
before Hollywood would capitalize on the Gypsy Rose case, and this
thriller directed and co-written by Aneesh Chaganty opens promisingly
with Sarah Paulson playing an overprotective mother who has
home-schooled and raised her disabled teenage daughter by herself.
Casting real-life wheelchair user Kiera Allen as the daughter was a
clever and effective approach, because Allen's authentic and emotionally
resonant performance is what retains the film's authenticity right up
until the cliché-ridden final third, at which point Paulson's character
tips over from three-dimensional to horror genre stereotype. The
wonderful Pat Healy appears in a miniscule role as the local postman.
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