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Runaway Train (1985)
Directed
by:
Andrei
Konchalovsky |
COUNTRY
USA/Israel |
GENRE
Drama/Action/
Thriller |
NORWEGIAN
TITLE
Runaway Train |
RUNNING
TIME
111
minutes |
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Produced by:
Yoram Globus
Menahem Golan |
Written by (based on a screenplay by Akira Kurosawa):
Edward Bunker
Djordje Milicevic
Paul Zindel |
Review
In the 1980s, art was
cold and detached. Here is the pinnacle of how these
elements could enhance the expression, in contrast to several films in
which the aloofness gave the films a sense of dehumanisation. In the
timeless Runaway Train, director Andrei Konchalovsky uses a seemingly dehumanised
starting point (two convicts in a remote maximum security prison) and
makes their world and mentality – an alleged animalized existence – seem
very close and tangible. It is an allegoric film of existential
proportions, given life by Konchalovsky's acrimonious images and Trevor
Jones' suggestive score, but at the same time, Runaway Train is one of the most
successful realizations of the action film model. Here, the action
(notably in a remarkable finale) accentuates the larger and symbolic
value of the story instead of standing in its way. And the power and
timelessness of the story makes Runaway Train a film which can
more than endure the march of time, despite the odd contemporary
slip-up. The performances are stylistic powerhouses, with Voight
arguably giving his final substantial role to date and Roberts hitting
career high (perhaps tied with It's My Party)
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