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The Savages (2007)
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Director:
Tamara Jenkins |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
The
Savages |
RUNNING
TIME
114
minutes |
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Producer:
Anne Carey
Ted Hope
Erica Westheimer |
Screenwriter:
Tamara Jenkins |
Review
It's a known fact that
writers like to write about other writers and that they often seem to
create a world in which everyone can be an intellectual and/or a
successful playwright. Even if these characters are struggling writers,
they will get their break by the end of the film, and how can we
complain? After all, the film we are watching is probably the result of
a once struggling writer getting his or her big break.
Luckily, some of these
writer-loving writers also now have something to say about other issues
in life. Tamara Jenkins, penner and director of the sweetly melancholic
drama The Savages, depicts the directionless, deromanticized
lives of modern, urban 30- and 40-somethings almost as well as she
portrays the process of ageing (with dementia) in a public American
nursing home. The former, of course, has been done by many a filmmaker
before her in recent years, whereas the latter is not the most frequent
thematic on film. Sarah Polley, in my opinion, went overboard in her
depiction of Alzheimer's with
Away From Her in 2006, but Tamara
Jenkins captures the subtleties of the situation. She wants to show that
although people may experience situations like these as tragedies, they
are ultimately just the trivialities of life, and her characters must learn
to look outside of themselves. Wendy's unrealistic idealism, Jon's
pragmatic detachment, and Lenny's frustrating yield to his fate provide
clashes, but small and bearable clashes united by the love they all have
for each other, despite their history.
There are moments of
great interpersonal and emotional value in this film, and Jenkins also
kicks fairly heavily at the costly, glossed nursing homes which she
claims in many cases represent nothing but a romanticised idea of
'nicer' and 'less real' ageing (or dying, as Jon claims) which is more
useful for the consciousness of the relatives than for anything else.
Instead, The Savages wants to kill some myths about public
welfare while at the same time asking us to get more in touch with
reality - both when it comes to our life cycles and the concept of
settling down. Despite some too familiar moments, The Savages is
a good film with depth in character - helped by the consistently strong
acting by the two unassuming leads and the very impressive Philip Bosco.
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