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Saw
III (2006)     
Preceded by:
Saw II (2005)
Followed by:
Saw IV (2007)
|
Director:
Darren Lynn
Bousman |
COUNTRY
USA |
GENRE
Horror |
NORWEGIAN
TITLE
Saw III |
RUNNING
TIME
113
minutes |
|
Producer:
Mark Burg
Gregg Hoffman
Oren Koules |
Screenwriter:
Leigh Whannell |
Review
A
couple of decades ago, sequels were made with some air to breath between
them. That didn't mean they were not commercially motivated (at least
not in this genre), but it meant that the audiences were able to recover
in between. Now, here is the third installment of a series that started
only two years prior with the invention of Saw,
one of the most creative and delightfully vicious horror films in a long
time. The problem with releasing two sequels in two years is that (as
with The Matrix)
follow-ups of a lesser quality will threaten to weaken the reputation of
the original. Creators James Wan and Leigh Whannell might make more money, but their
brilliant prodigy now has two mediocre siblings to compete with for
attention.
Whereas
Saw II
was to a large extent a structural rehash of the original, Saw III
is a more protracted and unrefined effort. It desperately lacks the
suspense of the original, and has nothing new to say. The plotting, by
Whannell himself, isn't all that bad, but it is conducted by Bousman
with a serious lack of vision and subtlety. For one thing, the film is
overloaded with flashbacks, which makes it very exhausting. And
secondly, the graphic horror is less enjoyable, because here it serves no
purpose. The best aspect of Saw III is that we get to see more
inside Jigsaw's head (literally), but every other storyline is just
repeating itself in a degenerative manner. By the time the movie has
finally reached its ending, there isn't really much to reveal, even
though Bousman seems to think so. Stay untuned for the next installment.
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