|
|
Le
Scaphandre et le papillon (2007)
Director:
Julian
Schnabel |
COUNTRY
France/USA |
GENRE
Drama/Biography |
INTERNATIONAL
TITLE
The
Diving Bell and the Butterfly |
NORWEGIAN
TITLE
Dykkerklokken og sommerfuglen |
RUNNING
TIME
112
minutes |
|
Producer:
Kathleen Kennedy
Jon Kilik |
Screenwriter
(based on the book by Jean-Dominique Bauby):
Ronald Harwood |
Review
From he burst onto the
scene with Basquiat a little over a
decade ago, it was clear that Julian Schnabel would have something to
offer the movie business that most filmmakers with a more traditional
background has not. With his third film, Le scaphandre et le papillon,
Schnabel demonstrates that he is an artistic genius who not only has the
ability, but also the courage to offer a visionary, alternative point of
view to life as a paralysed. We meet famed Parisian fashion editor
Jean-Dominique Bauby who, after suffering a stroke at the age of 42, was
diagnosed with locked-in syndrome - a condition in which almost every
voluntary muscle in the body is paralysed, but where there is no damages
to the consciousness or cognitive ability of the brain. With vision,
insight, warmth and respect, Schnabel renders Bauby's post-stroke life
largely from first person perspective, using camera effects and
well-worked thought-voiceover to brilliant effect as Bauby gradually
learns to accept his new existence. Rarely has the film medium given an
entry into the mind of a protagonist in the way it is done in Le
scaphandre et le papillon. Through Schnabel's brilliant conduction,
we are able to live Bauby's desperations and elations to an extent that
one can usually only do through books. And the film is filled with the
humour and warmth that largely evaded three years older brother
Mar Adentro. A remarkable film
of genuine, uncorrupted spirit that won Schnabel the best director award
at Cannes.
|
|