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Scent of a Woman (1992)
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Director:
Martin Brest |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Duften av kvinne |
RUNNING
TIME
156
minutes |
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Producer:
Martin Brest |
Screenwriter (based on "Il buio e il miele" by Giovanni
Arpino):
Bo Goldman |
Review
Directed/produced by Martin Brest and
penned by Bo Goldman (One
Flew Over the Cuckoo’s Nest,
Melvin and Howard),
Scent of a Woman is written and constructed to manipulate you
utilizing a flashy Al Pacino at the top of his game. This is a showy
film, but showiness can be effective and fun when coupled with this
level of showmanship. Pacino’s character Frank Slade is a retired
high-ranking military officer whose loss of sight from an accident
has left him bitter, disillusioned and suicidal. He hires young prep
school student Charlie Simms (Chris O’Donnell) as his assistant for
an extravagant trip to New York, where they get the chance to
deconstruct each other’s highly disparate problems. Youthful
openness meets worldly indifference, and Brest is romantic enough to
believe that his two main characters can better each other. In a
close to career-best performance, Al Pacino isn’t all about
mimicry, even though his character at times seems to be. There’s a
lot more beneath Frank Slade’s surface; a well of contradicting
emotions and bottled-up frustration that seeps up in small portions
when Charlie’s sensitivity and obvious loyalty eventually gets
under Frank’s skin. It all culminates in an unabashed climax which
we’ve been longing for, starving for through two-and-a-half hours of
expertly dictated chagrin.
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