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sex,
lies and videotape (1989)
Director:
Steven
Soderbergh |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
Sex,
løgner og videotape |
RUNNING
TIME
100
minutes |
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Producer:
Robert Newmyer
John Hardy |
Screenwriter:
Steven Soderbergh |
Review
Steven Soderbergh's
hailed first feature is a poetic and gloomy investigation of the three
concepts in the title explicitly, and of the dysfunctional emotional
lives of the four leads implicitly. The film feels European and New
Wave-ish, something which gives it timelessness, and explains quite a
lot of the initial buzz at the time of release; sex, lies and
videotape is far removed from the 1980s and anything made in American
film during the decade. Remarkably, it has one of the Brat Pack's
lurking younger
brothers, James Spader, in the thematic lead - and what a delightful,
enigmatic turn he gives, deliciously erotic and persistently
untrustworthy in essence. The real secret behind Soderbergh's
intelligent story, besides the continuously interesting interpersonal
aspects, is the unresolved ambiguity of the Spader character. Is he
John's healthy, sensitive counterpart, or is he a wolf in sheep's
clothing? That, argues Soderbergh, is the perpetual ambivalence of
relationships.
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