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The Shootist (1976)
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Director:
Don Siegel |
COUNTRY
USA |
GENRE
Western |
NORWEGIAN TITLE
The
Shootist |
RUNNING
TIME
100
minutes |
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Producer:
M. J. Frankovich
William Self |
Screenwriter (based on the novel by Glendon Swarthout):
Scott Hale
Miles Hood Swarthout |
Review
John Wayne's final movie is a refined
and pensive western about an old gunman who rides into Carson City to
pay a visit to an old doctor he knows about a back problem which turns
out to be a cancer and a death sentence. Unfazed, he lodges a room at a
local guesthouse and starts planning how to ensure a demise as
untroublesome and dignified as possible. As the city welcomes him – a
previously feared and revered pistol-fighter now past his heyday – it
becomes clear to both us and him that time has come not only for him,
but also for his kind.
The Shootist is a more modern
western than what was typical for the 1960s and 1970s (and certainly
than what Wayne had been used to) in the sense that it is
character-driven and interested in the transition from the wild west to
the urban, technologic USA - and how the gunfighter gets lost in the
void that this transition creates. Director Don Siegel (Dirty
Harry) shows that he understands the value of subtlety,
but it is Wayne himself, through his understated and deeply touching
portrait, which gives the film the necessary authenticity and class.
Siegel himself cannot avoid resorting to a few crude and unelegant
1970s-ish action sequences which don't fit well into the film's tone and
tempo. And this goes especially for the final set-piece, which isn't
given the necessary context to come off as the dignified and righteous
swansong for Books as it should have. But that doesn't take anything
away from the social and historical observations and the many brilliant
character-relations, all of which are remarkably nestored by Wayne
himself.
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