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Shotgun Stories
(2007)
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Director:
Jeff Nichols |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Shotgun Stories |
RUNNING
TIME
92
minutes |
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Producer:
David Gordon Green |
Screenwriter:
Jeff Nichols |
Review
Jeff Nichols gives his stark
impression of American small-town/rural life, depicted via an escalating
family conflict between a deceased man's two sets of sons, none of whom
were born with a silver spoon in mouth. Set in Nichols' home state of
Arkansas, Shotgun Stories depicts people living in modern times
leading antiquated ways of life. His rivaling families adhere to the
values of the old west, with pride, bloodline, revenge and property as
key defining terms. Nichols has more compassion than respect for his
characters, but he asks us to understand them, see their actions and
urges in light of their background - a background which shows the
extreme contrasts in modern USA.
The talented Michael Shannon drives
the action forward with his steadfast, powerful performance. He is Son,
the acting pater familias of three brothers with an estranged, unloving
mother and a father who left them as kids to start a new family with
another wife. Their daily life consists of emptying beer cans sitting on
lawns and patios, living in a desolated town populated by the few whose
pride and lack of ambition have kept them staying. Family is all that
matters, and Son has two underachieving brothers, Boy and Kid, played
with a disquieting affinity by Douglas Ligon and Barlow Jacobs. When
their father dies and the three brothers decide to show up at the
funeral to voice their opinion about the man who once abandoned them,
his new family reacts and instigates a long-dormant conflict.
Although Nichols has both the local
knowledge and the artistic talent to create a harrowing authenticity for
his account, his film also turns out to share its characters'
single-mindedness. Like the brothers, he knows where this is heading,
and he doesn't make an effort to conceal it or pause along the way. The
film's tone and tempo is characteristically indie, which gives it a
sense of truthfulness, but also keeps the undoubted tension of the story
a little at bay, as Nichols always maintains a certain distance as he
observes with his camera. Shotgun Stories is a promising debut
from a filmmaker who certainly has got something to say and the ability
to make the observations to go along with it.
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