the fresh films reviews

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Slumdog Millionaire (2008)

Directed by:
Danny Boyle
Loveleen Tandan (co-director: India)

COUNTRY
UK/USA

GENRE
Drama/Crime/Romance
NORWEGIAN TITLE
Slumdog Millionaire
RUNNING TIME
120 minutes

Produced by:
Christian Colson

Written by (based on the novel Q & A by Vikas Swarup):
Simon Beaufoy


Cast includes:

CHARACTER ACTOR/ACTRESS RATING
Jamal Malik Dev Patel
Latika Freida Pinto ½
Anil Kapoor Prem Kumar
The Police Inspector Irrfan Khan
Constable Srinivas Saurabh Shukla ½
Javed/Raja Mahesh Manjrekar ½
Salim Madhur Mittal
Youngest Jamal Ayush Mahesh Khedekar
Youngest Salim Azharuddin Mohammed Ismail ½
Youngest Latika Rubiana Ali
Middle Jamal Tanay Chheda ½
Middle Salim Ashutosh Lobo Gajiwala
Middle Latika Tanvi Ganesh Lonkar ½

 

Review

With Slumdog Millionaire, Danny Boyle unites Bollywood with Hollywood while combining potent human drama, some good-old adventure, and quite a bit of glossy Bollywood romance on top of that.

This might seem a daring project, but as such, it's rather appropriate that Boyle was the one to make the move. The British director is among a handful of true auteurs working in the big-budget film business today. His films always seem to tread semi-familiar waters with new and refreshing shoes, and more often than not, he does this without sinking. With Slumdog Millionaire, it could be argued that the filmmakers were bold in making a film of this stature without any Western performers. But then again, they have the privilege of playing two markets simultaneously here (with the TV show Who Wants To Be a Millionaire as the common denominator), and the established Bollywood stars (notably Anil Kapoor and Irrfan Khan) have the presence to attract the extra attention from one of the two markets.

In structure and storytelling, Slumdog Millionaire has a universal appeal, with large and recognizable themes: money, brotherhood, friendship and love. As a drama, the film works best in its first half, telling of our protagonists' lives as children. The young performers do remarkably well, as Boyle follows them around the lively and often merciless Mumbai slum, and the anecdotes that drive the story are powerful in both essence and execution.

Towards its final part, Slumdog Millionaire changes to more familiar big-city mobster territory, and the narrative junctures become more traditional, but Boyle keeps interest up by a clever untangling of the story and an equally clever title character. Dev Patel’s acting is wisely low-key, making his performance grow stronger and stronger as the film progresses.

Boyle can change continents, but he will never stray too far from his trademark themes, and as the title suggests, the chase for the big money is central in Slumdog Millionaire. After all, this is a rather classic tale of the poor man pursuing riches and the princess, and romantically, this is as perfectly fairytalelike as films come. But hey, it’s Bollywood, and it’s damn well done.

Copyright © 16.01.2009 Fredrik Gunerius Fevang

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