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La
sociedad de la nieve (2023)
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Directed
by:
J. A. Bayona |
AKA
Society of the Snow |
COUNTRY
Spain/USA |
GENRE
Survival/Thriller/
Drama |
NORWEGIAN TITLE
Snøsamfunnet |
RUNNING
TIME
144 minutes |
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Produced
by:
Belén Atienza
Sandra Hermida
J. A. Bayona |
Written by
(based on the book by Pabli Vierci):
J. A. Bayona
Bernat Vilaplana
Jaime Marques
Nicolás Casariego |
Review
J. A. Bayona, the experienced Spanish
director behind successes such as the gothic horror
El Orfanato
and the real-life disaster film
Lo imposible, has made several clever choices for La
sociedad de la nieve – the third adaptation of the now famous
'Miracle of the Andes' which occurred in 1972. One of these choices
is rather obvious: Unlike the previous adaptation about the
incident, 1993's Alive,
Bayona has cast mainly South American actors and shot the movie
partly on location in the Andes, which gives the film the necessary
cultural and characterological foundation. Another is his choice of
protagonists. Our reliable narrator is Numa Turcatti (Enzo
Vogrincic), whose role in the story is somewhat enigmatic from the
outset. And as the narrative progresses, it becomes clear that there
is no one leader and no clear hierarchical structure in these young
men's quest for survival. Instead they bring their various strengths
and weaknesses to the table, meaning that different people stand out
– and need comforting – at different times. Still, the main reason
why La sociedad de la nieve surely but slowly becomes such a
gripping watch and one of the best films of the year, is that Bayona
lets the powerful human drama take centre stage, letting it unfold
naturally and truthfully, while concentrating on providing solid
craftsmanship around it. This picture is not held back by trends,
posturings or politics; it's all about accomplished filmmaking,
skilled storytelling and fine performances. And when all that is in
place, you probably won't mind being emotionally manipulated just a
tad. After all, this is the kind of survivalist story which calls
for just that.
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