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Spellbound (1945)
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Director:
Alfred
Hitchcock |
COUNTRY
USA |
GENRE
Mystery/Thriller |
NORWEGIAN TITLE
Trollbundet |
RUNNING
TIME
111 minutes |
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Producer:
David O. Selznick |
Screenwriter:
Angus MacPhail
Ben Hecht |
Review
Of
Hitchcock's many meanderings into the human psyche, this "Freudian
slip" of his has arguably stood the test of time least well –
despite, or perhaps because, it was also the most outright. The
mystery is Gregory Peck's brain, and the detective is the enamoured
Ingrid Bergman. She's surrounded by condescending wiseacres telling
her all the mistakes she's making because of her infatuation and
sex. It's all very didactic. Hitchcock tries to help things along by treating us to a number of creative
shots which are meant to intensify the non-stop psycho-babble –
which unfortunately is what most of the script comes off as today.
Peck and Bergman do their best to keep on top and make their
relationship credible, which of course it isn't (except for in
real-life, as it were), but the real problem here is that the film
relies too heavily on psychological theories and concepts which have
long since been more or less debunked. What remains when viewed
today are the film's interest of curiosity along with a handful of
unintended amusing scenes, such as the hilarious skiing scene
towards the end.
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