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The Split (1968)
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Director:
Gordon Flemyng |
COUNTRY
USA |
GENRE
Crime/Thriller |
NORWEGIAN TITLE
- |
RUNNING
TIME
91
minutes |
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Producer:
Robert
Chartoff
Irwin Winkler |
Screenwriter (based on a novel by Donald E. Westlake):
Robert Sabaroff |
Review
A trendsetting and urban jazzy score
by Quincy Jones along with stylish off-hand direction by Gordon Flemyng
makes The Split an attractive and engaging film, cocksure about
its own seductive qualities. The film holds up well after all these
years for the said reasons, but also because it pushes and plays with
genre conventions, beginning with a series of seemingly incohesive
high-action chase sequences, developing into a clever, low-key heist
film, before ultimately becoming a hard-hitting urban western, complete
with showdown and an indulgent portrayal of violence, which arguably was
quite controversial at the time of release. As such, the film belongs to
a vein started by Arthur Penn and Warren Beatty with
Bonnie and Clyde
the year before, in which violence was given a far more stark and
pessimistic treatment than before. The plot presented in The Split
isn't necessarily brilliant, but the ambition with which it is treated
gives the film relevance and freshness. The performances are notable for
the division between the classic, unprobing workmanship of Borgnine,
Klugman, Harris and Oates, and the modern, more introspective work by
Brown, Hackman and Sutherland. All in all, it's a fine and attractive
cast in a film which deserves to be remembered.
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