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The Stranger (2022)     
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Directed by:
Thomas M. Wright |
COUNTRY
Australia |
Genre
Crime/Psychological thriller |
NORWEGIAN
TITLE
The
Stranger |
RUNNING TIME
116 minutes |
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Produced by:
Rachel Gardner
Emile Sherman
Iain Canning
Joel Edgerton
Kerry Kohansky-Roberts
Kim Hodgert |
Written
by (based on a book by Kate Kyriacou):
Thomas M. Wright |
Review
An undercover police operation
told with fresh, nail-biting panache by filmmaker Thomas M. Wright (Acute
Misfortune), whose aesthetic takes inspiration from both the recent
true crime wave and a far more dateless horror tradition. The director
has a knack for the visceral, for making noise, sound bites and abrupt
cuts work not only to create tension, but to further and punctuate the
story. The Stranger is a film that grabs you and shakes you
thanks to its delicate balance between a discussion of ethical dilemmas and an assured
and relatively ambitious style. A clever and at times electrifying
thriller highlighted by first-rate performances by the two lead actors,
Joel Edgerton and the immense Sean Harris.
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