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The Tourist (2010)
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Director:
Florian
Henckel von Donnersmarck |
COUNTRY
USA/France |
GENRE
Crime/Romance/Drama |
NORWEGIAN TITLE
The
Tourist |
RUNNING
TIME
103
minutes |
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Producer:
Gary Barber
Roger Birnbaum
Jonathan Glickman
Tim Headington
Graham King |
Screenwriter:
Florian Henckel von Donnersmarck
Christopher McQuarrie
Julian Fellowes |
Review
The Tourist doesn't tread many unfamiliar waters in combining a
romance of the chance-meeting type with a seemingly important undercover
chase in snobbish Paris and Venice environments. The 007 comparison is
inevitable, and the film also bears some resemblance both in tone and
theme with the enjoyable summer blockbuster
Knight and Day.
And enjoyable is also a fairly descriptive word for The Tourist,
especially if you, firstly, can accept the film's carefree
interpretation of reality and credibility and, secondly, you are able to
pretend that Angelina Jolie can act.
The former means that the story belongs in the escapism department, but
although it is trifling, this is a cleverly written spy mystery with the
right amount of dodges and surprises. The latter is the core of The
Tourist's major problem, because even if the film's two stars try
half-heartedly, they cannot kindle even a hint of romantic spark between
them. Johnny Depp is largely excused; at least he brings some character
and wit to his Frank. Angelina Jolie's performance, on the other hand,
is hollow, consisting of little more than posing. She spends the first
two thirds of the film looking like a smug mannequin before finally
coming slightly to life towards the end. As a result of this, the
romance between Frank and Elise remains barren, inhibiting what could
have been a far better film. Having seen what von Donnersmarck can get
out of his performers in
Das Leben der Anderen, I choose to
believe he is not the first to blame. Between the obstacles, The
Tourist does have the faint markings of a great director.
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