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Under the
Silver Lake (2018)
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Directed
by:
David Robert
Mitchell |
COUNTRY
USA |
GENRE
Black comedy/Mystery |
NORWEGIAN TITLE
Under the Silver Lake |
RUNNING
TIME
139 minutes |
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Produced
by:
Michael De Luca
Chris Bender
Jake Weiner
Adele Romanski
David Robert Mitchell |
Written by:
David Robert Mitchell |
Review
One cannot fault David Robert Mitchell
for a lack of ambition with Under the Silver Lake, his
follow-up to the compelling and highly successful
It Follows
from 2014. This time, he leaves his native Michigan behind and
ventures into a contemporary Los Angeles populated by overly
pop-culturally aware young adults who find themselves caught in the
hopelessness of living up to the city's century-long tradition for
celebrity and artistic success. Aesthetically, Mitchell wants to
make a noirish L.A. movie mystery of classic proportions, with a
narrative style and a musical score homaging mid-20th
century noir, but the narrative he weaves around it is a teenage
boy fantasy which is hard to take seriously, and the pop-cultural
nostalgia very soon becomes too glaring and insistent to really
transcend into anything. The film feels like a fan fiction follow-up
to The
Goonies told by a stoned-out underachiever from the Goonies generation.
Still, there are a few haunting scenes,
such as our protagonist's visit at the songwriter's house. Andrew
Garfield delves into his character with a certain conviction and
hopefulness, but chances are he
would have been just as underwhelmed by what he ultimately was
presented with as his character Sam is.
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