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Vanishing
Point (1971)
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Directed
by:
Richard C.
Sarafian |
COUNTRY
USA/UK |
GENRE
Action |
NORWEGIAN TITLE
Døden bak rattet |
RUNNING
TIME
98 minutes |
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Produced
by:
Norman Spencer |
Written by:
Guillermo Cain |
Review
Barry Newman plays Kowalski, a
disillusioned war veteran and ex-cop who has turned to high-speed
delivery driving and popping of uppers for amusement in an otherwise
humdrum existence. Like quite a few entries in the action and cop genre
from this era, the film is a comment on the perceived moral decline
in an increasingly urban and impersonal world, but unlike many of
its counterparts, Vanishing Point looks at it all from a
perspective of apathetic nihilism. Kowalski can do whatever he
wants, because deep down he doesn't care about the outcome. And as
he proceeds and the radio DJ "Super Soul" creates a cult following for him over the
air waves, he is made into a combined role model and martyr. If you're
not willing to be persuaded, the film's outlook can easily be
rejected. But director Richard C. Sarafian's innovative style,
flashbacks and use of music cannot. The film was one of the pioneers
of the music video aesthetic before it was even a thing.
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