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Vera
Drake (2004)
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Director:
Mike Leigh |
COUNTRY
UK/France/New
Zealand |
GENRE
Drama |
NORWEGIAN
TITLE
Vera Drakes
hemmelighet |
RUNNING
TIME
125
minutes |
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Producer:
Simon
Channing-Williams |
Screenwriter:
Mike Leigh |
Review
Vera Drake opens as a cheerful
and vivid rendition of a warm and friendly post-war London and finishes
as an incisive and lingering portrait of the tragedy of a woman and her
family. The pacing and humour in Mike Leigh's direction set this story
alight and builds a solid foundation for this sombre, honest portrait of
a woman helping young, pregnant girls with performing abortion.
Explicitly, this is a simple story about an issue that today is (in most
parts of the world) socially accepted, but Mike Leigh wants to make us
see the gravity of this matter in the light of the time they were
performed. That is exactly why he dwells at Vera's arrest and lets his
camera explore (and explore) Imelda Staunton's face. And although it
borders on what is healthy for her performance, his intense and
persistent approach enhances the story's strength if not the progression
of the film.
Leigh gives a lot of the responsibility
to the actors. Not only Staunton's powerhouse performance (see Staunton
on Oscar-night and you won't recognize her), but also from the entire
supporting cast. Daniel Mays (as the son, Sid) and Philip Davis (as the
husband) are particularly impressive, as they help make the film a
remarkably insightful character study. The key is the amount of time
Leigh uses to establish our relationship with them, and the spirit with
which they are presented. In doing so, he creates a backbone for the
rather demanding final act of the film where we are put to the test
along with our protagonist. Ultimately, Vera Drake is not a film
about laws or the rights or wrongs of abortion. It is a film about
people who are in one way or another affected by these things. It's
powerful and direct, but never political or categorical.
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