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Vi
gifter oss (1951)
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Director:
Nils. R.
Müller |
COUNTRY
Norway |
GENRE
Drama/Romance/Comedy |
INTERNATIONAL
TITLE
- |
RUNNING
TIME
103
minutes |
|
Producer:
Knut Yran |
Screenwriter:
Nils R. Müller |
Review
Vi gifter oss
is one of the best examples of Norwegian film mimicking
Hollywood's classic studio era, complete with extensive use of studios
to film outdoor scenes, a firm allegiance to the now established rom-com
subgenre, and the first signs of star power in Norwegian cinema (this
was the first of many films which were to launch Henki Kolstad and Inger
Marie Andersen as the entire nation's romantic couple). Still, perhaps
the main reason that Vi gifter oss worked and works so well, is
that it combines its Hollywood affinities with a very Norwegian
perspective. The 1950s were in many ways the start of modern urban
living in Oslo, when the parents of the baby-boomers settled in numbers
in suburb apartments and found non-hard labour work in the city. This
was when the modern working/middle class was born, and Vi gifter oss
is a superb first-hand, contemporary document of this process.
Writer/director Nils R. Müller's shows an impressive perspective and
insight in this matter.
Müller's writing
style, which is light and simple in tone and plot development, but at
times heavy and cumbersome in thematics, is both perfectly descriptive
of the era it depicts and ideal for the overall effect of the film. He
toggles elegantly between simple slapstick comedy and well-portioned
discussions and dramatizations on life as a couple. Despite on one level
being naturally rooted in 1950s moral and social mechanisms, on another
level these discussions have a timelessness to them which secures the
film's relevance also when watched in its 60th anniversary year.
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