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La vita e bella (1997)
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Directed
by:
Roberto
Benigni |
COUNTRY
Italia |
GENRE
Drama/Komedie |
NORWEGIAN
TITLE
Livet
er herlig |
RUNNING
TIME
111 minutter |
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Produced
by:
Elda Ferri
Gianluigi Braschi |
Written
by:
Vincenzo
Cerami
Roberto Benigni |
Review
Roberto Benigni's La
vita e bella is one of those unparalleled, audacious films that has
got instant classic written all over it. It is a movie which captures
most aspects of life and weaves them delightfully, dauntingly and vividly
into its impressive range of themes and historical depth. Benigni has
based his accounts of WWII on his own father's stay in Bergen-Belzen
during the Nazi regime, and he has the ability to make it personal and
intimate. This is make-or-break-essential to the effect of this movie,
because it is a rather bold endeavour Benigni sets off trying to mix his
sinister historical themes with his wonderfully high-spirited comedic
introduction. The fact that he not only pulls it off but creates an
atmosphere that is close to singular in film history verifies the
significance of La vita e bella.
The brilliant acting,
the wonderful sense of 'Chaplinish' humour in the script and the
sparkling romance between Benigni and real-life wife Nicoletta Braschi
act as mere bonuses to the main storyline in the story – the beautiful
deception by a father of his son. It is a risky idea, but Benigni's
solves any potential problems before he sets off by declaring that his
story is the son's rendition of the events. And this is what makes the
somewhat stylized setting of the concentration camp so effective;
knowing that it is basically seen through the eyes of beautiful little
Giosue. Eyes that, despite all the cruelty and malice that has gone on
before them, remain innocent and optimistic due to the fantastic
protection from his father Guido. Few films can flaunt an idea more
imaginative than this, and if they did, none of the would pull it off
like Roberto Benigni does here.
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