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Where the
Crawdads Sing (2022)
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Directed
by:
Olivia Newman |
COUNTRY
USA |
GENRE
Drama/Mystery |
NORWEGIAN TITLE
Der
krepsene synger |
RUNNING
TIME
125 minutes |
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Produced
by:
Reese Witherspoon
Lauren Naustadter |
Written by
(based on the novel by Delia Owens):
Lucy Alibar |
Review
Based on the best-selling novel by
Delia Owens, this is an evidently enticing mystery story set in a
luscious Louisiana back country where people are poor and live off
of and in harmony with nature – but still somehow have managed to
maintain perfect make-up and hair styles ever since the 1950s.
British actress Daisy Edgar-Jones plays young Kya, who after having been abandoned by her
mother and brother, beaten by her alcoholic father, and then raped
by an ex-boyfriend, is being accused of the murder of the latter. If
you think this
sounds pulpy, you're quite right. And if Delia Owen's novel was able to disguise
this notion somehow,
this adaptation directed by Olivia Newman certainly isn't. We're in mushy
territory in more ways than one, and the trio of young, urban actors
leading the cast are never able to transcend the exteriors for which
they were chosen and get down to the grittiness these characters
should have possessed. Newman only has interest in – or the ability
to – scratch the surface of it all. The film is like a blank postcard from the past; it
transports you nowhere, except into Hollywood glossiness. With David Strathairn as the girl's defense
attorney, and Garret Dillahunt as her abusive father, arguably the
only two well-cast performers in this misfire.
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