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The
World According to Garp (1982)
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Director:
George Roy
Hill |
COUNTRY
USA |
GENRE
Drama/Comedy |
NORWEGIAN
TITLE
Garps
utrolige verden |
RUNNING
TIME
136
minutes |
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Producer:
George Roy Hill
Robert L. Crawford
|
Screenwriter
(based on the novel by John Irving):
Steve Tesich |
Review
The
novel form shines distinctly through this vivid but restricted and
unspontaneous comedy from director George Roy Hill. The source is John
Irving's successful book, which arguably dazzled with its beloved
characters and tone, but in Hill's film these quirky, charming
characters and their ditto lives are scattered as detached vignettes.
The film has a segmental charm, but lacks a visionary, relevant center.
It seems that Hill has lost track of what made the world of Garp
attractive in the first place. He captures the events, but not
necessarily the peculiarity of Garp's being. Part of the problem is
Robin Williams. Firstly, he's not believable nor youthful enough as a
high school kid (the first scenes with the 34-year-old Close mothering
the 30-year-old Williams are simply too bizarre), and as the film goes
on, he doesn't have the crunch to carry the character.
The
World According to Garp has several structural and tonal
similarities with the twelve year junior Forrest
Gump. They both face the daunting challenge of covering a
long life span. In films like these, one will need to skip parts, make
choices and fast-forward time. Whether it works or not is decided by how
cohesive the director is able to make the chosen segments. Where Forrest
Gump unfolds like a life well lived, Garp remains
a set of events. They are cohesive from a strictly logico-semantic point
of view, but there is no consequential progress in tone and theme.
The
film's discussions (mostly concerning lust) might evoke some reaction,
but even though there are several interesting characters here, their
existence seem more politically than narratively motivated. Irving
proposes that men's lust and women's lack of it makes our species'
existence highly unlikely, or merely enforced, if you see it mildly.
It's as if he lets womanhood take the blame for his puritan upbringing,
making the film depressive from more than one point of view. Only Glenn
Close sees through this curtailment and gives a wholesome, dedicated
performance.
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