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The Village (2004)
    
Review
M.
Night Shyamalan has certainly shaken off any notion one could have of
him being a one-hit wonder after he burst onto the scene with The Sixth Sense
five
years ago.
He has established himself as a technically brilliant director whose
impressive conceptual universe keeps forming the basis for thematically
interesting and aesthetically distinctive films. As with his three
previous films, The Sixth Sense, Unbreakable, and Signs,
his latest, entitled The Village, examines people being faced
with phenomena and events they cannot quite comprehend. Thematically,
The Village may well be the most original of his
films to date. It combines a captivating period portrait with agreeable
characters and an ever-present, well-preserved mystique. Therefore, it's
a disappointment to find that said mystique ultimately
becomes
overfocused and
something of a distraction for the film's other elements. Perhaps
Shyamalan felt obliged to substantiate his reputation as the
new master of
horror.
The problem is just that The Village in essence is no horror
film. A more patient dramatic intensification of the suspense could have
served The Village better. Instead, the suspense curve makes the
narrative denouement and pacing somewhat
uneven,
with an overly abrupt ending which doesn't quite reap the fruits as
satisfactorily as one could have hoped for. The first-rate cast of young
talents and established actors makes you want to get to know some of
these characters even better, not least Edward Walker, played
with
wonderful immersion and honesty
by
William Hurt. His monologue to his fellow elders just before the film's
major turning point is a great display of acting skills. Young Bryce
Dallas Howard is brilliant and shows great promise as his daughter and
the film's main protagonist, whereas Adrien Brody, for all his talent,
overplays the part of Noah, making a couple of crucial segments if not
exactly counter-productive, then at least less forceful. As a concept,
The Village arguably started out with just as much potential as
The Sixth Sense, but Shyamalan cannot quite reach the same
echelons of movie magic this time around.
Copyright © 01.09.2004
Fredrik Gunerius Fevang
(English version: © 28.01.2024 Fredrik Gunerius Fevang)
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