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1408 (2007)
Director:
Mikael
Håfström |
COUNTRY
USA |
GENRE
Thriller/Horror |
NORWEGIAN
TITLE
1408 |
RUNNING
TIME
104
minutes |
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Producer:
Lorenzo di Bonaventura |
Screenwriter (based on a short story by
Stephen King):
Matt Greenberg
Scott Alexander
Larry Karaszewski |
Review
Another of Stephen
King's "hotel room" stories have been brought to the screen, this time
by Swedish hot shot Mikael Håfström who isn't afraid to keep it coming
in this perpetual, unruly horror film. The premise is interesting
enough, as unjumpy ghost story writer Mike Enslin seek out yet another
allegedly spooky place with lots of history in order to write slick
stories about the effect of the place. The difference, of course, is
that this time, he finds himself in the middle of the horror himself as
the 1408 of the Dolphin Hotel throws its indefinite amounts of firepower
at Enslin and the viewer alike.
The trouble with
Håfström's approach is that he never establishes any rules for his
setup. At the extent that moving walls and tumbling furniture are scary,
1408 might work on a superficial level, but instead of pulling
the viewer into an eerie atmosphere and universe with increasing
conviction (as in one of King's similar stories,
The Shining),
1408 puts its faith in a formula which suggests that increased
mess means increased scariness. The effect is familiarly dull. John
Cusack has the presence to carry a film like this, but Håfström makes a
mockery of his performance as he is dragged from one unmotivated
reaction to another. 1408 is yet another example of how difficult
good horror is to make. At present, the visual effects personnel is
certainly more gifted than the screenwriters and directors.
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