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4
luni, 3 saptamani si 2 zile (2007)     
Director:
Cristian
Mungiu |
COUNTRY
Romania |
GENRE
Drama |
NORWEGIAN
TITLE
4
måneder, 3 uker og 2 dager |
INTERNATIONAL
TITLE
4
Months, 3 Weeks & 2 Days |
RUNNING
TIME
113
minutes |
|
Producer:
Cristian Mungiu
Oleg Mutu |
Screenwriter:
Cristian
Mungiu |
Review
Using almost solely his
handheld camera usually stuck in the desperate and determined faces of
two female students living under
Ceauşescu's increasingly oppressive Romania
towards the end of the communistic period in the late 1980s. It was a
time when the once popular and boldly independent dictator had lost
contact with his people completely - a people that suffered heavily
while Romania paid off its extensive foreign debt acquired during the
1960s and 1970s.
In the midst of the hardships of a failed
social system, our protagonists must face the challenge of an unwanted
pregnancy in a strict legislation that prohibited abortion. Cristian
Mungiu shows abundances of ability when it comes to conveying strenuous
human interactions without falling flat or becoming too obvious. And he
uses this ability to get under our skin and make an impact. The film has
a lot in common with Mike Leigh's
Vera Drake, but while the former
conveys people's goodness in difficult situations, 4 luni, 3
saptamani si 2 zile explores the determination and selfishness that
necessitates in these situations. The strength of the lead character,
Otilia, is a remarkable example of how women can retain their dignity
and self-respect in an overly patriarchal society where lack of
prosperity has brought the most basal and brutish aspects of humanity to
the surface.
Mungiu's writing is thoughtful and filled
with insight, but it is the direction that arguably gave him the Golden
Palm in Cannes. He shows that he masters many different aspects during
4 luni, 3 saptamani si 2 zile, from the situational ensemble
segment early on (with quite a lot of Altman in it), through the
observing interpersonal drama and the opaque suspenseful scenes towards
the end. And the common denominator is the directness with which it is
all done. A potent film.
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