






 
|
 |
The Big White (2005)
    
|
Director:
Mark Mylod |
COUNTRY
Germany/Canada/
New Zealand/USA |
GENRE
Comedy/Drama |
NORWEGIAN TITLE
The
Big White |
RUNNING
TIME
100
minutes |
|
Producer:
Christopher
Eberts
David Faigenblum
Chris Roberts |
Screenwriter:
Collin Friesen |
Review
Most
people compare The Big White to Fargo,
and although it might seem as a too obvious thing to do, there really isn't
much reason not to. Because not only does the film bear a striking
resemblance visually (for a Norwegian like myself, the scene presented
in these films might be a little less eccentrically amusing than it was
designed to be), but the plot is also very much modelled after the Coen
semi-classic.
There
are differences, however, and they can be quite easily summed up: The
Big White lacks the flair and originality of its role model. The
latter is particularly evident (and annoying) when it comes to the
characters who very rarely deploy anything outside the strictly
one-dimensional. The exception is the wonderful Holly Hunter, who
largely keeps this film watchable. Not that her character is free of
banality (her condition is mainly used for simple comic relief), but
Hunter at least brings joyfulness and delight to her character. She is
funny, even when the script can't provide for her. That is something
most of the other actors involved here can't manage - and one can't
really blame them. Robin Williams' effort is commendable, but his
character is ultimately uninteresting. Still worse is the case with
Ribisi, Harrelson and Lohman. The first two sleepwalk through their
typecast roles whereas Lohman tries hard without succeeding.
Things
aren't all bad with The Big White. It has some nice touches and
the crime plot is as engaging as anything mediocre. The trouble is that
the film never is close to hitting a note that hasn't been played a
hundred times before. To make a script like this work we'd need a much
more imaginative director than Mark Mylod.
|
|