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Fargo (1996)     
Review
In this distinctive
crime-movie set in "Norwegian country", specifically Fargo, North
Dakota, the Coen brothers toy with genre conventions, dialects and some
idiosyncratic archetypes. They look to have been at least a little bit
inspired by Quentin Tarantino's rejuvenation of the crime genre as of
late, but this is certainly more Coenesque than Tarantinoesque. The odd
cast of characters, headed by a wonderful Frances McDormand, are portrayed
as gullible and anti-cool, like the antithesis to Travolta/Jackson in
Pulp Fiction,
and you can't help loving them for their simple, optimistic outlook on
life. Plus, the dialogue in here is among the funniest the
Coens have ever penned.
Copyright © 27.3.1997
Fredrik Gunerius Fevang
(English version: © 30.03.2021 Fredrik Gunerius Fevang) |
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