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The Black Phone (2021) ![](../graphics/FULL_STA.GIF) ![](../graphics/FULL_STA.GIF) ![](../graphics/Full_sta_2.gif) ![](../graphics/Full_sta_2.gif) ![](../graphics/Full_sta_2.gif)
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Director:
Scott Derrickson |
COUNTRY
USA |
Genre
Horror |
NORWEGIAN
TITLE
The
Black Phone |
RUNNING
TIME
103
minutes |
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Producer:
Jason Blum
Scott Derrickson
C. Robert Cargill |
Screenwriter (based on the short story by Joe Hill):
Scott Derrickson
C. Robert Cargill |
Review
Although the 1970s were the
heyday of both the American serial killers, groundbreaking horror
movies, and school bullying, the serial killers weren't abstract
concepts, there weren't any ghosts that scared you with loud sound
effects but were really there to help you, and the school yard fights
weren't UFC matches. The Black Phone is the name of Scott
Derrickson's latest picture – a cinematic computer game disguised as a
horror movie. Based on a story by Stephen King's son Joe Hill and with a
script co-written by Derrickson, the film is obviously a
nostalgia trip for the filmmakers. They want to revisit the unforgiving
school yards and dysfunctional home lives of their youths, and the film
touches a nerve when delving into the latter. When alcoholic dad Jeremy
Davies whips his daughter Gwen brutally with a belt, the film connects with
a reality which it never is able to
repeat or satisfactorily follow up on. Davies' character is the only
really interesting one in here. The serial killer, called "The
Grabber", on the other hand is not. He is a theoretical being of horror
cliches; a plot device the protagonist Finney (Mason Thames) must overcome to win his escape
room challenge. Granted, there are one or two clever ideas in the mix,
but as with most of the suspense elements, they come off as so overly
planned and neatly presented that any spunk the film could have had
is lost.
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