|
|
Black Swan (2010)
|
Director:
Darren
Aronofsky |
COUNTRY
USA |
GENRE
Drama/Thriller |
NORWEGIAN TITLE
Black
Swan |
RUNNING
TIME
108
minutes |
|
Producer:
Scott Franklin
Mike Medavoy
Arnold Messer
Brian Oliver |
Screenwriter:
Mark Heyman
Andrés Heinz
John McLaughlin |
Review
In
Black Swan, Darren Aronofsky consolidates his position as one of
the best filmmakers of our time by combining a passionate portrait of
the world of ballet, in which the beauty and sensuality of the art-form
is contrasted with the competitive and unforgiving conditions in the
corps de ballet, with an unyieldingly probing psychological study of the
lead dancer, embodied by Natalie Portman. Aronofsky has
demonstrated his ability to perceive and convey the inner demons of the
human mind before (notably in
Requiem
for a Dream), but hardly better than he does with Nina
Sayers here, using his entire stylistic spectre as a director to assist
the exposed Portman in her masterful, complete descent into the
characters' self-created void. The effect is undeniable; Black Swan
is a riveting experience of degradation and elation - all the while
soaked in an eerie mood which isn't easily dealt with. The film works
Nina's and our defences down methodically, before welcoming us warmly to
the conclusion. It's a great achievement in directing by Aronofsky, who
demonstrates an irresistible
assuredness. Great work by Kunis, Cassel,
Hershey and Ryder supporting the brilliant Portman. More than one of
them are worthy of Oscar nominations.
|
|