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Blood
Diamond (2006)     
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Director:
Edward Zwick |
COUNTRY
USA |
GENRE
Drama/Action/War |
NORWEGIAN
TITLE
Blood Diamond |
RUNNING
TIME
143
minutes |
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Producer:
Gillian Gorfil
Marshall Herskovitz
Graham King
Darrell Roodt
Paula Weinstein
Edward Zwick |
Screenwriter:
Charles
Leavitt |
Review
Camouflaged
as an idealistic message movie, this semi-exploitive action film by
Edward Zwick is largely in the same business as most of the people it
depicts. One can of course make an argument that this at least makes it
free of hypocrisy, which would be an amusing piece of irony, but the
fact of the matter is that what stops Blood Diamond from really
being a fine movie, is Zwick's inclination to always wanting to go that
extra mile; satisfying the genre conventions at the expense of realism.
The
latest in the series of films depicting riveting situations in
central-African countries, Blood Diamond is an at times gripping
and constantly brutal account of the days of civil war in the mid-90s
Sierra Leone, and the illegal diamond industry that revelled in its
wake. The brutality and violence is contrasted against a very charming
and romanticized view of Africa for which Zwick is to be honoured. His
two main puppets in this respect, however, are to an equal extent
responsible. Djimon Hounsou's performance is powerful (if somewhat
forced, bordering on overacting in some important passages),
whereas Leonardo DiCaprio fortifies his position as the leading actor of
his generation. His performance here reminds me of Marlon Brando in his
prime - from the complete delve into character, to the expression, to
that showy accent of his. With recent year's feats, DiCaprio looks to
finally have found his adult persona. Here he steals every scene he's in
and elevates the film's impact.
Unfortunately,
Zwick returns to old sins. Until the final thirty minutes, there's not much wrong with Blood Diamond, except for its somewhat
inconsiderate time consumption. The film has many thought-provoking
depictions and keeps you interested. However, the ending is all about simple
solutions and cheap sentimentality that waste the film's integrity. Like
Jennifer Connelly's poorly written character, Blood Diamond has
so much flashy idealism and transparent goodness, that not even a James
Newton Howard score seems out of place. But please don't
let that undermine DiCaprio's bravura performance.
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