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Boyhood (2014)
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Director:
Richard
Linklater |
COUNTRY
USA |
GENRE
Drama/Coming-of-age |
NORWEGIAN TITLE
Boyhood |
RUNNING
TIME
165 minutes |
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Producer:
Richard Linklater
Cathleen Sutherland
Jonathan Sehring
John Sloss |
Screenwriter:
Richard
Linklater |
Review
They
grow up so fast, don't they? That's probably something any parent is
willing to affirm, although in the movies it usually happens even
more out-of-the-blue, with a kid suddenly turning into a completely
different adult. In Richard Linklater's unprecedented film
Boyhood, however, this process is for the first time documented
100 % authentically: Linklater filmed the logical title character
growing up over a process of 12 years, shooting one sequence yearly
from 2002, when actor Ellar Coltrane was 8, and up until 2013, when
he was 19 and his character was about to start college. And around
him, we also get to see his sister Samantha (played by the
director's daughter, Lorelei Linklater) grow up, their mother Olivia
(Patricia Arquette) develop from a young single mom into an educated
middle-aged woman, and their father Mason Sr. (Ethan Hawke) maturing
from a semi-irresponsible, idealistic young adult into a
conventional family man.
The
yearly progression flows seamlessly and elegantly as Linklater cuts
his scenes without any emphasis on the time-lapse itself – a clever
trick which works to give the film a feeling of continuity despite
the obvious segmented production method. And although every single
one of the film's themes are more than recognisable within the
coming-of-age subgenre, whether it's abusive step-fathers,
compensatory weekend parenting, the harrowing process of moving and
changing schools growing up, or, last but not least, finding one's
identity as a young adult, Boyhood's fresh approach and
unparalleled technical authenticity elevate the drama and make it
all feel more palpable; you're transported back to those years of
misery and wonder with a little extra force, even if Linklater's
story is a little lazy at times. There's unexplored potential in the
relationship between Arquette and Hawke (both of whom give
accomplished performances), while the Mason Jr. character is often
overexplored and overanalysed. But then of course, Linklater can
explain this by saying that this is how it's like being young; you
overanalyse and overthink stuff in order to be able to stand out and
create your own identity. In the end, there's really nothing special
about Mason Jr. but then again, that's the case for most kids.
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