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Café Society (2016)
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Director:
Woody Allen |
COUNTRY
United States |
GENRE
Comedy/Drama/Romance |
NORWEGIAN TITLE
Café Society |
RUNNING
TIME
96 minutes |
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Producer:
Letty Aronson
Stephen Tenenbaum
Edward Walson |
Screenwriter:
Woody Allen |
Review
Woody
Allen dreams himself away to a glossy, idealized version of 1930s
high-life in Hollywood and New York, in which an awkward young Jew
from NYC competes with his powerful, middle-aged Hollywood mogul
uncle for the favour of Vonnie, the latter's beautiful young
secretary. In this love-triangle with a twist, it's almost as if a
young and inexperienced version of Woody Allen is pitted against his
powerful present-day self, although that may be giving the film (and
Allen) more credit than deserved.
Jesse Eisenberg plays The Woody Allen Character almost in a mimicry
fashion, which alternates between effective and annoying. His
transition midway in the film is Eisenberg's best achievement, but
the same cannot be said for director Allen's handling of this and
other narrative developments here. Instead of actually dealing with
the story's potentially most potent dramatic situations (for example
when Vonnie finally surrenders to The Woody Allen Character's
advances), Allen uses his own voice-over to skip to the next chapter
in this constantly lightweight string-of-events. As Vonnie, Kristen
Stewart is well-cast and has the right energy, but she's ultimately
underused and underdeveloped by Allen. This is a story seen from the
perspective of the males, most of whom are fuelled by the power that
money, fame or brutality has brought them.
Cafe Society is
an almost completely irrelevant piece of escapism with a negligible
romance or two and yellowish, oversaturated images which are almost
physically painful to look at. The film's main redeeming quality is
Allen's well-known humour and glimpses of fine writing, which for
the most part appear in a couple of amusing asides.
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