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Calvary
(2014)
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Director:
John Michael
McDonagh |
COUNTRY
Ireland/United Kingdom |
GENRE
Drama |
NORWEGIAN TITLE
Calvary - Golgata |
RUNNING
TIME
101 minutes |
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Producers:
Chris Clark
Flora Fernandez-Marengo
James Flynn |
Screenwriter:
John Michael
McDonagh |
Review
Although John Michael McDonogh's Calvary in many ways picks
up where his previous film,
The Guard, left off, there are
some very discernable and, from Calvary's point of view,
dejecting differences. Brendan Gleeson is not one of them, though:
Again he turns up as a lone authority figure and voice of reason
(this time in the form of a priest) in an Irish small-town community
gone seemingly haywire.
The
main difference between the two films is that the piercing black
comedy from The Guard has been substituted with an ubiquitous
affectatious profoundness which is meant to provoke afterthought,
perhaps even belief (although in what exactly, I do not know). The
problem is, however, that all of the profound conversations between
the priest and the various members of his congregation, which is
what essentially makes up the film, are thwarted by cliches and –
worse even – generally nasty, two-dimensional characters. It's
almost as if these characters exist only in order for Gleeson's
character to come off as the human one, and thus redeeming the
catholic church's value following some horrifying revelations of
late – which incidentally is the recurring theme of this film as
well.
But
no, that would seem like too cheap a shot for someone of McDonough's
calibre. He definitely wants to paint a picture of rural Ireland,
but his implied message here, that Ireland is beautiful, but the
Irish are not, seems out of place, cynical, bordering on downright
misanthropic. And unlike in The Guard, there's no
tongue-in-cheek, black humour here to redeem the depressing, hollow
story and the sad, empty characters that populate it.
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