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The China Syndrome
(1979)
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Director:
James
Bridges |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
Kinasyndromet
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RUNNING
TIME
123
minutes |
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Produced:
Michael Douglas |
Screenwriter:
Mike Gray
T. S. Cook
James Bridges |
Review
Absorbing, relevant and pounding drama
about the hazards of cold war era nuclear plants. Released seven years
prior to the Chernobyl disaster, The China Syndrome demands
attention to be drawn to the dangers of not only nuclear power, but
allegorically to the long-standing cover-up policy of American politics
- a way of thinking that has never focused on the backside of the medal.
Filmmaker James Bridges is blatantly liberal and radical, but to
harrowing effect. Shooting the film completely without a musical score
enhances the alarming effect - both as a thriller and as a drama. It's
quiet before the storm all the way through. And a stoutly convinced Jack
Lemmon propels our conscience forward with him, opening our eyes
gradually as we move on.
On a secondary level, the film is a
critical account of the impact of television, and the conflicting but
all the same interdependent interests of the two fields is never hidden.
This is substantive filmmaking that doesn't care for superficialities -
both Bridges and Douglas show a cerebral side to their filmmaking that
they arguably never equalled. And Douglas, along with a convincing
Wilford Brimley, make up a fine supporting cast.
Re-reviewed:
Copyright © 22.3.2007
Fredrik Gunerius Fevang
Original review: Copyright © 19.2.1997
Fredrik Gunerius Fevang
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