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Cool Hand Luke
(1967)
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Director:
Stuart
Rosenberg |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
Rebell i lenker |
RUNNING
TIME
126 minutes |
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Producer:
Gordon Caroll |
Screenwriter:
Donn Pearce
Frank Pierson |
Review
Stuart Rosenberg directed this ostensibly dark and realistic drama
about an irresponsible drifter down on his luck who ends up in a
Florida prison camp where he encounters both camaraderie with his peers
and brutal oppression from his captors. The film is wonderfully
staged and shot, with lots of dusty environments and sweaty bodies,
which makes you feel the heat and hardships these guys experience
(even if the inmates' daily life is more reminiscent of boot camp
than prison). And like all good prison movies, Cool Hand Luke
thrives on the closeness and bond between the inmates, some of whom
we'd like to get to know even better (Stanton's character for
instance). The script is strong, but has a somewhat too pronounced
mission; it has a rebellious anti-establishment tone running through
it, which is fair enough seen in light of the US' involvement in
the Vietnam War at the time of production, but which also makes the
film and particularly the title character come off as a bit stagy
and overly symbolic at times. Paul Newman does his best in the lead,
but the character doesn't seem like a real person as much as a
figurehead - arguably both for the filmmakers and the other prisoners. He represents what
they want to see in themselves: courage to oppose the system and a
seemingly unbreakable spirit. But we never really get to know him and
his disposition. The only one who really seems to get him is the
George Kennedy character, but their relationship is largely
fruitless, because Kennedy's performance is way over the top
alongside Newman's reserved acting.
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