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Creepshow
(1982)     
Preceeded by:
Creepshow 2 (1987)
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Director:
George A.
Romero |
COUNTRY
USA |
Genre
Horror/Comedy |
NORWEGIAN
TITLE
Creepshow |
RUNNING
TIME
120
minutes |
|
Producer:
Richard P. Rubinstein |
Screenwriter (based on his own short stories):
Stephen King |
Review
These five Stephen King
stories directed by George A. Romero (Night of the Living Dead)
probably won't scare you, but they may entice a chuckle. Seen in
retrospect, Creepshow is much less effective than its sequel,
mainly because of Romero's direction. He doesn't believe in the
effectiveness of the horror elements he presents, and so his stories
become parodies, without chills and almost without thrills. In
Creepshow, the comedic aspect takes centre stage, but there's no
point in black humour if you can't feel the blackness. And the special
effects by renowned make-up effects artist Tom Savini leave a lot to be
desired (with the exception of the final segment). The best written
and acted segment in here is "The Crate", adapted by King from his own
short story. Hal Holbrook plays his role straight and makes us feel his
anguish. It could have been a really effective chiller if not for that
ridiculous monster suit. Luckily for the reputation of the series, the
more concise and spine-chilling
Creepshow 2 appeared five years
later.
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