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Creepshow
2 (1987)     
Preceeded by:
Creepshow (1982)
|
Director:
Michael Gornick |
COUNTRY
USA |
Genre
Horror/Comedy |
NORWEGIAN
TITLE
Creepshow 2 |
RUNNING
TIME
92
minutes |
|
Producer:
David Ball |
Screenwriter (based on short stories by
Stephen King):
George A.
Romero |
Review
Stephen King's stories have
always seemed to be well suited for anthologies, and had already
been adapted into such relatively successfully with
Creepshow in 1982 and Cat's Eye
in 1985. For the sequel Creepshow 2, George A. Romero moved from
director to screenwriter, which seems to have been a good idea because
his replacement Michael Gornick treats the material more seriously and
explores the concept of fear much more effectively. The film consists of
three segments, two of which are original stories, and one ("The Raft")
that had been previously published. While some King adaptations tend to
drag or become a little too caught up with their supernaturalness, the
stories in Creepshow 2 leave their mark on you and move on. They
have a sense of urgency about them. This is especially true for the
film's two best segments, "The Raft" and "The Hitchhiker", which
bamboozle you with their gruesomeness, dark humour and – despite their
brevity – fully drawn characters. Tom Wright is as scary as any Stephen
King antagonist as the hitchhiker. And the foursome of Deke, Laverne,
Randy and Rachel who visit the raft on that secluded lake are a
seductive mix of tight-knit and narcissistic, of well-adjusted and
rebellious. It's a wickedly enjoyable segment, especially if you happen
to catch the uncut version.
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