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Dial M for Murder (1954)
    
Review
In the year 1954,
Alfred Hitchcock was at his perhaps most prolific, creating two of the
finest thrillers of their time: the unparalleled Rear
Window and this smart little gem. Nowadays, you'd be
hard-pressed to find a filmmaker embarking on two such ambitious
projects in one year, but then
again, there aren't many directors around who can make two hours of
nail-biting cinema utilising practically a single location, which is
what Hitchcock did with Dial
M for Murder and Rear
Window. Granted, this one lacks the spontaneous naturalness that makes Rear
Window so vibrantly
brilliant,
but it has the stylish build-up, the well-crafted progression, and the
brilliant sense of mystery that became the director's trademark.
At times, the film seems staged and bumpy, but Frederick
Knott's brilliant script along with Hitchcock's scheming direction
covers all the film's weaknesses and makes way for a highly engaging and
stylish thriller.
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