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Finding
Neverland (2004)
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Director:
Marc Forster |
COUNTRY
UK/USA |
GENRE
Drama |
NORWEGIAN
TITLE
Finding
Neverland |
RUNNING
TIME
106
minutes |
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Producer:
Nellie
Bellflower
Richard N. Gladstein |
Screenwriter:
David Magee |
Review
Finding Neverland is a
semi-autobiographical story about British playwright J. M. Barrie
(creator of Peter Pan) and his relationship with four young boys and their
widowed mother at the start of the 20th century. Those who have
extensive knowledge about the actual Barrie will be able to point out
the many inaccuracies in this film, but then again the film's intentions
aren't first and foremost biographical and needn't necessarily be.
However, when using known historical persons for dramatic effect in
motion pictures, I feel filmmakers have (to say it with J. M. Barrie's
words) "a wee bit" of obligation to depict them truthfully.
And, in the case of this film, it would probably have made for a better
movie if it had dared to do a bit more than gracing the surface of its
characters.
Johnny Depp stars as J. M. Barrie and
gives a sincere and moving, but somewhat uncomplex performance. There is
undeniable strength in the relationship between him and the boys (the
Depp/Winslet-relation is ill-focused and has no real place in the film) and occasionally Marc Forster has nice touches when the drama
parables the film's touch of fantasy, but mostly it fails to honour the
spirit of Barrie's fantastical story to which it is devoted.
That leaves us with the before-mentioned
biography and the undeniably interesting soul and mind of J. M. Barrie.
Unfortunately, Finding Neverland doesn't quite dare explore it.
In its feel-good scenes the film is fine (and Depp's energy and charm
makes it even better), but when portraying its more sombre themes, it
fast becomes sentimental and feeble. The film's most important
aspect is Barrie's relationship with the Davies-family, yet Forster
offers no real insight to Barrie's motivations and doesn't make an
effort to explain them. Only the Depp/Highmore-relation
really comes off satisfactory (and Highmore's performance is a
powerhouse), but the film ignores too many important issues (the subject of
sex here is totally absent) and tries to make up for it by condescending
to plotted melodrama.
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