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The Finest Hours (2016)
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Director:
Craig Gillespie |
COUNTRY
USA |
GENRE
Disaster/Thriller/Drama |
NORWEGIAN TITLE
The
Finest Hours |
RUNNING
TIME
117 minutes |
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Producer:
Jim Whitaker
Dorothy Aufiero |
Screenwriter:
Scott Silver
Paul Tamasy
Eric Johnson |
Review
It's
a fine story The Finest Hours tries to tell, about a
real-life rescue mission of a broken-in-half oil tanker off the
coast of New England back in 1952. The film starts off with the
background romance between lead character Bernie Webber (Chris Pine)
and his would-be-wife Miriam (Holliday Grainger), and this is a nice
prelude in which the tone of the time is set effectively and we're
escorted back into the lives of mid-century Cape Cod coast guards.
The start of the impending disaster on the tanker SS Pendelton is
also quite well handled (even if the film takes too long getting
there), and it's always promising to see Casey Affleck in the midst
of an ensuing conflict. However, the problems start setting in with
the introduction of the rescue mission itself, the film's focal
point. The action-sequences are overblown and badly handled by
director Craig Gillespie, who isn't able to convincingly portray the
bravery of these people without throwing all realism overboard
(literally). You've got people and boats doing and enduring things
that are totally out of proportion, hence negating the veracity of
the rescue mission itself. And if that wasn't enough, the film
throws in far too many characters, many of which are never
established, and far less developed, into people we know or can care
for. Ben Foster's incredibly thankless role is the prime example.
Luckily for Foster and Pine, they would reunite to film the
brilliant
Hell or High Water a few months
later.
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