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Flight (2012)
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Director:
Robert Zemeckis |
COUNTRY
United States |
GENRE
Thriller/Drama |
NORWEGIAN TITLE
Flight |
RUNNING
TIME
139 minutes |
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Producer:
Laurie MacDonald
Walter F. Parkes
Jack Rapke
Steve Starkey
Robert Zemeckis |
Screenwriter:
John Gatins |
Review
Flight, which is Robert
Zemeckis first live-action feature film since
Cast Away
and
What Lies Beneath in 2000 (with The Polar Express,
Beowulf
and A Christmas Carol in between), tells the story of a
cocky, heavy-drinking airliner pilot (Denzel Washington) who one day
gets his life turned upside down (no pun intended) and must learn to
face his own demons and the public's critical eye. Much more of a
synopsis than this is difficult to give without spoiling the plot,
because one of several extraordinary aspects of this film, is the
atypical dramaturgy. The first half of Flight is a fast-paced
thriller, highlighted by probably the single most exhilarating scene
I've seen on film in years. The second half is a brilliant
investigative drama centered around a scrutinizing character-study.
This means that the pacing is
largely the opposite of what we're used to from conventional
thrillers, and this may well be one of the reasons why Flight
feels so remarkably realistic and intimate. Denzel Washington, who
has to give a compelling performance - and delivers, seems to be
fighting Zemeckis' (and our) scrutiny through the entire film; his
character desperately wants to avoid us creeping under his skin for
fear he may be compelled to do the same. It's a strong and
insightful character-study, even if the final act of the film should
have been trimmed down a bit. I'm giving Zemeckis the benefit of the
doubt, however; he probably felt he had too much ground to cover,
and his film is ambitious, dealing faithfully and
thought-provokingly with several important issues pertaining to the
film's main event (which I shall not disclose) as well as the
characters' personal problems, which are viewed and discussed from a
fresh angle. Alcoholism has been more frequently portrayed on film
than most anything else, but never quite in this context.
Flight tells of an
extraordinary incident in which highly ordinary human flaws and
mechanisms are exposed and must be dealt with. And Zemeckis does
exactly this, without shortcuts and without ever forgetting to
entertain his audience. Along with Ben Affleck's
Argo,
this is one of the tightest American thrillers of 2012. My only
complaint would probably be the ending, which while it's poignant
and effective enough on its own merits, is slightly marred by a
somewhat too recognizable political correctness. I could have done
without the didactics, but for Whip Whitaker, I'm willing to concede
it probably was the only way.
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