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Beowulf
(2007)
Director:
Robert
Zemeckis |
COUNTRY
USA |
GENRE
Adventure/Fantasy |
NORWEGIAN
TITLE
Beowulf |
RUNNING
TIME
113
minutes |
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Producer:
Steve Bing
Jack Rapke
Steve Starkey
Robert Zemeckis |
Screenwriter
(based on the poem):
Neil Gaiman
Roger Avary |
Review
Beowulf places
itself in the long congested line of ancient-influenced, hero
worshipping adventure/fantasy films that surfaced in the wake of Peter
Jackson's Lord
of the Rings trilogy. Still, despite being the umpteenth
one, Beowulf is certainly one of the best, owing to Zemeckis
crisp direction, a fresh visual appearance that gives the special
effects a shelf to rest on, and a story based on Norse history and
mythology in which the hero, refreshingly, isn't a preordained 'the
one', but rather a cocky, inherently flawed womanizer with a good track
record. There are familiar elements in Beowulf as well, but they
are all well-portioned out by Zemeckis who knows when to start and stop,
and whose little stroke of genius here is to be just as interested in
the characters' relation to the supernatural as in these beings and
forces themselves. Because even though Beowulf is a fable, and an
exhilarating one, it is also a valuable portrait (if not a completely
accurate one) of how life was like in the North of Europe at a time when
the Norse Gods were about to be replaced by the new guy from the Middle
East. What is interesting about how this is handled in Beowulf,
is that it shows how this altered moral values and spirit of living -
for good or (rather) worse. Finally, Zemeckis is back in form, and
showing off his visual creativity.
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