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Fracture (2007)
Director:
Gregory Hoblit |
COUNTRY
USA/Germany |
GENRE
Thriller |
NORWEGIAN
TITLE
Fracture |
RUNNING
TIME
113
minutes |
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Producer:
Charles Weinstock |
Screenwriter:
Daniel Pyne
Glenn Gers |
Review
Gregory Hoblit played
delicately with the courtroom/psychological thriller sub-genre in his
debut feature, Primal Fear, back in
1996. With Fracture, he has in many ways come full circle. The
two films share some notable strengths: the fine pacing, the ability to
present rather intriguing juridical aspects without confusing or boring
the viewer, and the playful psychology involved. While one can argue
that both films are implausible, it is definitely Fracture which
feels like the less likely one of the two. This is a staged, but
well-staged film in which Anthony Hopkins blends a little hannibalism
with a little Andrew Wyke and seems to enjoy the process, without giving
it too much effort. His adversary is lawyer hot shot Ryan Gosling, about
to move from the prosecutions office to the corporate sector in order to
chase the big money. The duo end up wrestling for the truth as the
prosecution struggles to prove Hopkins' seemingly apparent question of
guilt after his cheating wife is murdered.
Fracture has a
lot of potential in the duel between Hopkins and Gosling. Their first
encounter in a prison booth is delightful, but Hoblit isn't quite able
to develop the relation like he does with Martin Vail and Aaron Stampler. Instead
he is a little too occupied trying to justify the plot inadequacies and
a completely unnecessary (but annoyingly mandatory) romantic sub-plot.
That doesn't mean that the film doesn't remain interesting and enjoyable
throughout, however. Fracture doesn't give us anything new, but it
replicates a once beloved formula quite adequately. And of course, a
couple of interesting actors help. There's never emptiness behind the eyes of Anthony
Hopkins, and he can almost make even Ted Crawford believable.
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