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The French
Connection
(1971)
Succeeded by:
French Connection II (1975)
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Director:
William
Friedkin |
COUNTRY
USA |
GENRE
Crime/Thriller |
NORWEGIAN TITLE
Brennpunkt New York |
RUNNING
TIME
104 minutes |
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Producers:
Philip D'Antoni |
Screenwriters
(based on the book by Robin Moore):
Ernest Tidyman |
Review
There's nothing
fancy about William Friedkin's The French Connection, one of
the few R-rated movies ever to win an Oscar for Best Picture of the
Year. The film gained notoriety for being starkly realistic, based
upon a real story about two cops staking out a big drug deal in
New York City. It wouldn't be right to say that the film hasn't
stood the test of time, but it may be noted that what made the film
stand out in 1971 – the depiction of crime and policing as something
dirty, circumstantial and unheroic – probably won't seem quite as
fresh and exceptional today. That being said, The French
Connection was and still should be seen as a document of a bleak
period in the history of New York City, and this is where Friedkin's
documentarian style comes into its own, showing a filthy and
unfriendly city where everyone is on their own and the authorities
use aggression to try to solve problems they don't quite understand.
Friedkin's highlight here is an almost balletic cat-and-mouse hunt
between Hackman and Rey on the subway. The film inspired a new wave of stripped-down crime movies, notably
the early films of Martin Scorsese (Mean
Streets,
Taxi Driver), propelled Gene
Hackman into (a rather unlikely) stardom, and gave William Friedkin
the possibility to make
The Exorcist two years later.
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