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Getting Even With Dad (1994)
Getting Even With Dad
tries to bite off a lot more than it can chew – serious drama,
sentimental tearjerker, silly comedy – all hinged on Macaulay Culkin's
in all honesty limited acting talent. Had the filmmakers chosen either
path, for instance a clear-cut drama, this could have been really
interesting, perhaps even poignant, something in the vein of last year's
American
Heart. Because there is potential in the relation between
the criminal father and the neglected son longing for affection.
Getting Even With Dad
is a good example of how the script itself doesn't necessarily decide
how well a film works. Because the main reason for this failure is an
ill-fated angle, along with the fact that Culkin, Ted Danson and
director Howard Deutch lack the ability to make up for its deficit.
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