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Good Time (2017)
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Director:
Ben Safdie
Josh Safdie |
COUNTRY
USA |
GENRE
Crime/Drama |
NORWEGIAN TITLE
Good Time |
RUNNING
TIME
99 minutes |
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Producer:
Sebastian Bear-McClard
Oscar Boyson
Terry Dougas
Paris Kasidokostas
Latsis |
Screenwriters:
Josh Safdie
Ronald Bronstein |
Review
After
a not quite successful bank robbery leading to the capture of his
mentally handicapped brother (played by co-director Ben Safdie),
Connie Nikas (Robert Pattinson) finds himself on the run under
increasingly more desperate circumstances, trying to retrieve his
brother while at the same time raising the money which the robbery
was supposed to have gotten them. Such is the premise for this
remarkably intense drama in which every new despairing situation our
protagonist finds himself in is positively palpable. Robert
Pattinson gives a chameleon-like performance, arguably his best
ever, as Connie, conveying the character's increasingly dire
predicament with a quiet desperation.
The
film is made by New York City based brothers Ben and Josh Safdie. I
don't know if they were inspired by films such as
Mean Streets
and
Dog Day Afternoon, but Good
Time feels like a modern version of these films. The Safdie
brothers' impressive work here is indicative of insiders looking
out, as opposed to outsiders looking in. Still, the single most
effective element here is the riveting atmospheric musical score by
ambient/electronica musician Oneohtrix Point Never, which sounds
like a 21st century cross between Tangerine Dream and John
Carpenter. It sets and elevates the mood throughout a film which is
worthy of all the accolades it can get.
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