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The Good Son (1993)
Messy, unsubtle and psychologically
uneven thriller about bad seed Culkin who terrorizes his family with
more or less evil antics, and then tries to recruit cousin Wood to his
team. There are many problems associated with this film, but director
Ruben's sense of suspense is not one of them. Viewed in isolation, there
are a handful good, playful and harrowing bits and pieces in The Good
Son, and one of them is the chilling finale. That scene has many
aspects to it, and it has both emotional and thematic depth. But at the
same time, it cannot hide from the context in which it is presented.
Because the script (by Ian McEwan, but allegedly mutilated by the
Culkin family) is far too showy and self-conscious while at the same
time lacking the insight it desperately needs in order to be able to
present Henry as anything resembling a real child. Elijah Wood's
authenticity and natural appearance in front of the camera easily
exceeds Culkin's desperate and immature attempt at playing a psychopath,
and it is Wood who gives the film most of its dramatic value. The film
is enjoyable from time to time, but this requires that the viewer doesn't
ask too many questions.
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